Entertainment Industry 2019 HSC exam pack
2019 Entertainment Industry HSC exam paper
Marking guidelines
Marking guidelines are developed with the exam paper and are used by markers to guide their marking of a student's response. The table shows the criteria with each mark or mark range.
Sample answers may also be developed and included in the guidelines to make sure questions assess a student's knowledge and skills, and guide the Supervisor of Marking on the expected nature and scope of a student's response. They are not intended to be exemplary or even complete answers or responses.
Marking feedback
Select from the sections below to view feedback from HSC markers about how students performed in this year’s exam.
Use the feedback to guide preparation for future exams. Feedback includes an overview of the qualities of better responses. Feedback may not be provided for every question.
Feedback on written exam
Students should:
- distinguish between content from the different mandatory focus areas in the Syllabus
- communicate entertainment industry concepts and provide relevant examples
- be prepared to address a range of entertainment industry issues
- respond correctly to the key words used, for example, explain, describe and distinguish
- communicate using appropriate entertainment industry terminology
- apply relevant workplace examples to the different focus areas
- apply relevant entertainment industry requirements from their experience(s) on work placement
- demonstrate knowledge of employability skills relevant to various situations
- practise articulating the practical components of the course into structured responses.
Question 16
In better responses, students were able to:
- accurately describe the steps in preparing a stage for a performance (a)
- keep their responses relevant to stagehand roles (a)
- use practical applications
- provide realistic steps taken to rectify an audio issue (b).
Areas for students to improve include:
- demonstrating their understanding of the specific roles of the stage crew (a)
- applying contextual example(s) relevant to the question (b).
Question 17(a)
In better responses, students were able to:
- identify a relevant copyright issue and the steps required to gain permission to use the materials (a)
- present realistic and appropriate consequences to copyright infringement (b).
Areas for students to improve include:
- knowing information about copyright industry bodies (a)
- demonstrating an awareness of the consequences of copyright infringement (b).
Question 18
In better responses, students were able to:
- clearly understand and articulate the functions of Safe Work NSW (a)
- expand on the general roles and responsibilities of an usher (b)
- demonstrate industry specific terminology as sourced from relevant legislation (b).
- provide a clear division of social, economic and human costs and having accurate information inside those divisions (c)
- contextualise the impacts rather than just listing them (c).
Areas for students to improve include:
- avoiding general statements concerning Workplace, Health and Safety (a)
- ensuring that all aspects of the question are addressed (b)
- demonstrating an awareness of social impacts (c)
- applying their understanding of workplace injuries across the industry and the broader community rather than just the individual (c).
Question 19
In better responses, students were able to:
- create a cohesive explanation of the needs and expectations of diverse customers and provide clear strategies for these.
Areas for students to improve include:
- expanding their knowledge of a range of strategies for a diverse range of customers including those with special needs
- understanding that customers in the entertainment industry are not limited to external customers.
Question 20
In better responses, students were able to:
- make reference to the specific paperwork required by a lighting designer (a)
- articulate the roles and responsibilities of the lighting designer and their relationship with other production personnel (a)
- correctly identify suitable equipment and accessories needed to realise the lighting state (b).
Areas for students to improve include:
- avoiding confusion with the roles of the various lighting personnel (a)
- developing their knowledge of lighting types and their function (b).
In better responses, students were able to:
- clearly articulate the role of the Front of House Manager (a)
- use examples such as staff rostering, delegation, resolving issues, training, supervision to support their answer (a)
- identify the context of the question (b)
- provide a thorough understanding of the hierarchy of the creative process (b).
Areas for students to improve include:
- developing their understanding of the role of the Front of House Manager and how it differs from that of an usher (a)
- demonstrating an understanding of the creative process (b)
- referring to the differing phases of production (b).
In better responses, students were able to:
- clearly demonstrate the roles and responsibilities of audio and vision personnel within the various phases of production
- identify clear communication pathways between all departments
- provide clear use of technical or procedural processes that were related to the various phases of production
- show their understanding of the relevant paperwork used in the various phases of production.
Areas for students to improve include:
- understanding the difference between the audio and vision as a ‘department’ as compared to their role in the creative process.
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Entertainment Industry syllabus
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