Music 1 2018 HSC exam pack
2018 Music 1 HSC exam paper
Marking guidelines
Marking guidelines are developed with the exam paper and are used by markers to guide their marking of a student's response. The table shows the criteria with each mark or mark range.
Sample answers may also be developed and included in the guidelines to make sure questions assess a student's knowledge and skills, and guide the Supervisor of Marking on the expected nature and scope of a student's response. They are not intended to be exemplary or even complete answers or responses.
Marking feedback
Select from the sections below to view feedback from HSC markers about how students performed in this year’s exam.
Use the feedback to guide preparation for future exams. Feedback includes an overview of the qualities of better responses. Feedback may not be provided for every question.
Feedback on practical exam
Students should:
- ensure the chosen repertoire is carefully matched to skills and technical ability
- be familiar with and understand the performance space and equipment, including starting backing tracks and using microphones correctly
- ensure accompanist/ensemble positioning is well considered and allows for effective interaction and engagement between performers
- have supportive and well-rehearsed accompaniment that allows for a secure musical outcome
- ensure sound checks before each piece are short and focused
- avoid splitting programs.
In better performances, students were able to:
- present repertoire to display musical strengths and a sense of musical expression and sensitivity to the style
- sustain engagement and momentum for the duration of the piece
- explore vocal/instrumental tonal capabilities
- display personal engagement throughout the performance.
Areas for students to improve included:
- choosing repertoire that is technically within the student’s skill level and provides opportunities to demonstrate technical and interpretative skills
- rehearsing in the chosen performance space prior to the day of the exam with attention to equipment positioning to assist accompanist/ensemble communication
- engaging with their ensemble rather than focusing only on their own part.
Students should:
- add all details necessary to realise the score including dynamics and expressive devices such as inflections and embellishments, noting that the audio is used as a guide only
- consider score conventions appropriate to the instruments/voice/performing media selected
- include page and bar numbers and label instruments/voices on each page opening
- notate and edit compositions that are written with sequencing and sampling programs.
In better responses, students were able to:
- demonstrate a clear understanding of their chosen style
- write cohesive works which include smooth transitions, effective textural changes and development of musical ideas
- explore the use of harmonic language and use effective interplay between the performing media
- write successfully for sampled sounds, including fully notated parts on the score with relevant keys and explanations.
Areas for students to improve include:
- providing all details for the reproduction of the score to ensure clear intent and accuracy
- understanding the capabilities of the selected performing media
- reflecting a sense of style through the appropriate use of concepts and features.
Students should:
- provide a concise, logically structured outline summary on the M2 form to support the discussion
- prepare topics based on genuine interest and an understanding of musical concepts within the music and topic
- present a viva voce with a musical focus based on extensive listening
- avoid using generalisations in discussion
- be prepared to engage in discussion with the markers rather than a prepared speech.
In better responses, students were able to:
- refer to well-chosen excerpts to support the discussion
- demonstrate a genuine interest in the topic
- draw conclusions and not just make observations
- demonstrate evidence of wide listening
- sustain a musicological focus.
Areas for students to improve included:
- prepare for the 10-minute viva voce just as you would prepare a performance piece
- use recorded examples and/or written music examples and/or short demonstrations to support the discussion
- have ready access to relevant musical recordings in support discussion within the time frame available.
Feedback on written exam
Question 1
In better responses, students were able to:
- clearly identify and describe the use of performing media and/or sound sources in relation to tone colour using relevant descriptive language and terminology
- provide appropriate examples to support a detailed response focusing on tone colour.
Areas for students to improve include:
- structuring responses logically to avoid repetition and confusion
- ensuring diagrams are relevant to the concept of tone colour.
Question 2
In better responses, students were able to:
- use the structure of the excerpt to scaffold their response
- demonstrate a perceptive understanding and awareness of duration and how it creates contrast, variety and unity in the excerpt
- provide appropriate examples to support a detailed response focusing on duration.
Areas for students to improve include:
- structuring responses logically to avoid repetition and confusion
- exploring all areas related to duration in reference to the excerpt.
Question 3
In better responses, students were able to:
- provide an organised and in-depth analysis of contrast using the concepts of music
- draw conclusions by referencing a number of concepts supported by appropriate musical examples
- identify significant details within the selected concepts of music to discuss contrast.
Areas for students to improve include:
- structuring responses logically to avoid repetition and confusion
- selecting appropriate concepts to discuss and analyse how contrast is used.
Question 4
In better responses, students were able to:
- use the structure of the excerpt to provide a logical and sequenced response with reference to texture
- describe in detail the changes which occur throughout the excerpt with a focus on texture
- use correct terminology in relation to texture and support the discussion by including appropriate musical examples.
Areas for students to improve include:
- structuring responses logically to avoid repetition and confusion
- exploring the relationship between texture and the use of performing media.
HSC exam resources
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Music 1 syllabus
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