Music 1 2022 HSC exam pack
2022 Music 1 HSC exam paper
Marking guidelines
Marking guidelines are developed with the exam paper and are used by markers to guide their marking of a student's response. The table shows the criteria with each mark or mark range.
Sample answers may also be developed and included in the guidelines to make sure questions assess a student's knowledge and skills, and guide the Supervisor of Marking on the expected nature and scope of a student's response. They are not intended to be exemplary or even complete answers or responses.
Marking feedback
Select from the sections below to view feedback from HSC markers about how students performed in this year’s exam.
Use the feedback to guide preparation for future exams. Feedback includes an overview of the qualities of better responses. Feedback may not be provided for every question.
Feedback on practical exam
Students should:
- select repertoire that matches their technical ability and highlights musical strengths
- demonstrate stylistic understanding through, the use of appropriate expressive techniques
- be aware of the total musical outcome if a combination of instruments is presented, for example, voice and guitar
- check balance to ensure the positioning of the markers has been considered
- tune instruments carefully and check equipment prior to the examination
- consider stamina and changes of ensemble when establishing order of performance pieces in their program.
In better performances, students were able to:
- present a technically secure performance of the chosen repertoire
- display musical sensitivity and stylistic understanding
- demonstrate structural understanding with attention to fluency and transitions
- maintain engagement and momentum in each performance piece
- present a well-rehearsed performance that highlights solo skills and/or ensemble interaction.
Areas for students to improve include:
- ensuring sound checks are short, efficient and pre-planned
- ensuring appropriate cuing of backing tracks to ensure a secure entry
- preparing backing tracks to include silence to allow your teacher to leave the room
- checking tuning of instruments when using a backing track
- avoiding brief performances that do not allow exploration of musical contrast
- rehearsing in the examination venue prior to the exam with attention to balance, blend and appropriate volume
- ensuring both candidates, when marked concurrently in the same performance, demonstrate equivalent musical material during the performance
- being familiar with equipment and technology used, for example, microphones, loop pedals and amplifiers.
In better responses, students were able to:
- demonstrate structural awareness and manipulate musical concepts effectively to balance repetition, contrast and development of ideas
- present accurate and detailed notation, providing all necessary performance directions and observations of score conventions, appropriate to the style
- compose in ways that are playable, realistic, and structurally coherent
- develop melodic and rhythmic ideas creatively with varied melodic, rhythmic and tone colour options
- develop stylistic ideas representing the chosen genre, form and style, and their conventions
- use the chosen performing media in ways that explores interaction, variety and development of ideas evenly.
Areas for students to improve include:
- gaining familiarity with chosen performing media, including idiomatic writing and practical capabilities
- reviewing the submitted score thoroughly, including scrutiny of computer-generated notation
- creating textural interest through changes in density, interaction between parts and changes in roles
- using the given time limit judiciously and avoiding repetitive material.
Students should:
- provide a structured outline summary using the (M2) form, copied for use by the student and the examiners
- ensure the summary sheet (M2) content can be discussed within the 10-minute time frame
- prepare a well-defined musicological focus
- practise the skill of two-way discussion in response to short musical excerpts.
In better responses, students were able to:
- effectively discuss their chosen focus using a range of short musical excerpts and/or practical demonstrations
- articulate an understanding of musical terms linked to wider listening
- demonstrate familiarity with the viva-voce process through appropriate use of technology.
Areas for students to improve include:
- discussing musical observations without reference to digital slides, cue cards or extra notes
- preparing for a two-way discussion where the student leads the viva-voce and responding to questions from the examiners
- using an appropriate range of musical excerpts and/or demonstrations within the timeframe allocated.
Feedback on written exam
Students should:
- read the question carefully to ensure important components of the question are not missed
- have a clear understanding of key words in the question and recognise the intent of the question and its requirements
- develop a plan to assist with the logical sequencing of information
- use relevant concepts and terms, where appropriate, to support the response
- present a logical and cohesive response addressing the question
- engage with any stimulus material provided and refer to it in the response
- review the response to ensure it addresses the question requirements.
Question 1
In better responses, students were able to:
- describe in detail the key aspects of melodic and harmonic devices used in the excerpt
- focus on the use of pitch using graphic notation and/or labelled diagrams with identification of intervals and/or chords to support the description.
Areas for students to improve include:
- describing pitch use in detail, with appropriate terms
- using graphic notation effectively to support the observations made
- understanding the differences between musical concepts when responding to aural excerpts.
Question 2
In better responses, students were able to:
- explain in detail how repetition is used by referencing accurate performing media and presenting observations and examples in order
- demonstrate an aural understanding of the relationship between the melodic, harmonic, and rhythmic roles in the layers of the excerpt
- identify the roles of individual instruments
- explain how repetition is used in the excerpt integrating notation. For example, graphic scores should be labelled clearly with accurate traditional notation
- provide a detailed analysis of the music which correlates to the repetition in the excerpt.
Areas for students to improve include:
- identifying different roles/names of specific performing media, discussing how repetition is used
- understanding the musical concepts discussed in the response and using the correct musical vocabulary to support points
- ensuring observations are supported by musical detail
- providing a focused response about how repetition is used rather than general observations.
Question 3
In better responses, students were able to:
- clearly distinguish between the sections of the excerpt using appropriate descriptions or labels
- accurately identify specific performing media and describe their role in each section
- make links between texture and structure by describing textural changes between and within sections
- use appropriate terms and/or notation to describe the sections and layers in detail
- discuss the use of other concepts in relation to texture and structure.
Areas for students to improve include:
- using well labelled and accurate diagrams showing sections and layers, not just density
- using texture terms accurately and avoiding the misuse of ‘monophonic’ and ‘heterophonic’
- adding detailed descriptions demonstrating aural awareness and musical understanding
- organising observations into a clear and coherent response focusing on the targeted concepts
- avoiding confusion between texture and tone colour.
Question 4
In better responses, students were able to:
- analyse the use of tone colour and explain in detail how contrast is achieved in each section
- use accurate terms demonstrating aural awareness and understanding of instrumental tone colours
- link each musical observation with a description of the effect on tone colour and/or contrast
- provide specific musical examples relating to tone colour and/or contrast.
Areas for students to improve include:
- analysing the use of tone colour in the excerpt by explaining in detail how contrast is achieved
- identifying specific examples showing a link between tone colour and contrast in the excerpt
- developing ways to describe tone colour and contrast.
HSC exam resources
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Music 1 syllabus
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